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Given the situation you create between the father and son in “Don’t Worry Baby,” this would seem to lend itself to melodrama, but impressively, the film is pretty nonjudgmental towards its characters. My two best friends produced this film, and we made short films and we produced each other’s college films. Through the process of learning to shoot on that medium, you’re just making these wonderful pictures and it all stems from there.
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Those were actually the first cameras that we used, and that’s what sparked the interest away from the skateboarding type of stuff that we were filming into a narrative feature. When I was that young, we had access to film cameras, like 16mm. You started making movies with your production partner at 12? What got you interested in it?
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I wanted to start with something simple, but the end has a nice twist, so I wanted to experiment with that first. All my favorite movies are family-oriented, and father and son-ish, so I just wanted to put a spin on something that could be classic and many people could relate to it. I was reading a lot of classic lit at the time, so that’s where the whole father-son thing came from. I’d rather direct something I wrote, and this is the first thing I wrote that I was proud of and I saw actually being a movie.
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None of them really felt right, so I started writing, and it just took me awhile, but I figured out how to write and to get the story told.
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He started sending me scripts when he went out to L.A. I’ve been making movies with my producer Nick, since I was 12. Shortly before the film’s unveiling at Sarasota, the filmmaker spoke about how he got interested in filmmaking, the transition from shorts to his first feature and the inspiration for “Don’t Worry Baby.” He also draws on the energy from the city that it’s set in – New York – to add color to a story that so easily could only have been about his characters seeing red or worked blue. While there are plenty of laughs to be wrung from such an outrageous scenario and Branciforte is sure to find his share of them, the first-time writer/director also sneaks in an investigation into adulthood as he watches the younger Robert, a struggling photographer come around to the idea he might me a dad and accept the responsibilities that come with it, while his old man Harry, a successful headmaster at a preschool demonstrates less and less maturity as he actively fights his son that the four-year-old Mason is his.īranciforte assembled a sterling and game cast for the film, including not only Magaro, McDonald and Walker, but Tom Lipinski as Robert’s ribald roommate Lenny and Talia Balsam as Harry’s surprisingly understanding mother and Robert’s disapproving ex-wife. Starring Christopher McDonald and John Magaro, who first became friendly on the set of David Chase’s “Not Fade Away,” “Don’t Worry Baby” features the two as father and son Harry and Robert, respectively, who come to find out that they slept with the same woman (Dreama Walker) around the same time four years earlier and discover she’s since had a child that belongs to one of them. “So I’m going to go down there and be well.”Īt least someone will be when he brings his comedy about a dysfunctional family to the Sunshine State. “I just read an article that said it has the highest well-being of any city in America right now,” said the New York-based filmmaker on the eve of his trip to Florida. Julian Branciforte is very much looking forward to the premiere of his feature debut “Don’t Worry Baby” at the Sarasota Film Festival for reasons that have nothing to do with the movie.